742 Royalty-Free Audio Tracks for "A. Major"

A few samples of a saxophone from logic pro x i made into one loop. Good for jazz or lo-fi. Let me know if you use it.

Harmonies i had done for a song, but they didn't come out quite right. They are in the key of eb major, but i'm sure that you can sort thatout using software.

Part of the epsilon loopset, a set of complementary synth loops. It is in the key of c major, following the chord progression cmaj7 fmaj7. It is four bars long at 110bpm. It is normalized.

Chorale segment in half-notes. Synthesised soprano, tenor, alto, and bass sing a i-v7/v-v-i progression in c-major. Minor reverb and noise reduction in post.

A three note bass line with noise. Principle notes are c, d#, f#. This means it doesn't easily fit in a major or minor key, but it would work in something largely in c minor or f# minor. This sample has a tale that fades out.

An old brown plastic wind organ (?)-you plug it in, and a fan blows the reeds-these are samples of the button chords-somewhat concertina like. Recorded quickly with sure sm81 condenser thru hb tube pre into motu/digi perf setup. A major.

Some chords played on my pilarte classical guitar using my thumb nail. E minor, a minor, d minor, g, c (add9). Recorded on my yamaha pocketrak and edited in sony vegas. There is a hiss. Sorry. Please comment on what you will use it for. Thanks. :^)-.

A montain bike breaking on concrete. Recorded with a pentax k5 and an audio technica pro 24-cm stereo microphone at 16bit/32khz. Slightly edited in audacity in order to reduce major peaks (by hand, no plugin) and to improve the headroom.

| - description - |. Orchestral type emotional song with strings. A major. C # m7-dmaj7-e7-f # m7. | - made with - |. Bbc symphony orchestra and flex - fl studio. | - uses - |. For projects, music or whatever i wanted.

C major and E minor contrast through their respective notes C and B (in red and orange), each a half step apart or leading tones. The chords share two notes (in blue) however.

5 25 {\displaystyle {\sqrt[{25}]{5}}} = 5:11/25 = 111.45 cents. Interval used in Stockhausen's Studie II, a compound just major third (5/1) divided into 25 equal parts.

These are some remixes of hello_flowers, the ones here are all the screaming pack hit with some major reverbcut in audacity, tone and pitch taken down and multiplied compressed,and run through d. Blue glitch, (mainly a stretcher a pass a crush andthen a gate etc. ) there are also some pads made from massive.

A soundscape recording of a common area at a major university during class switches. You'll hear distant, muted conversations, wind, some birds oblivious to the rigors of academic life, and distant laughter and steps. Recorded in april 8th, 2013 using my zoom h4n recorder and utilizing its built-in stereo microphones.

Johann Sebastian Bach's Toccata, Adagio and Fugue in C major, BWV 564, in a transcription by Thomas Knox of the U.S. Marine Band, played by the U.S. Marine Band for the album Marine Band Showcase, Volume 2.

Sound of a body falling on the carpet. Foley recording. Mono recording, 48khz/24. Mic: neumann km 185 supercardioid, zoom f8 recorder. Edited slightly in pro tools, nothing major, just a bit of compression and eq.

The opening fanfare to strauss' first horn concerto in e-flat. Recorded with a zoom h4n placed about a metre behind the bell.

Ελληνικά: Φούγκα 19. από το Καλά Συγκερασμένο Κλειδοκύμβαλο Ι του Γ. Σ. Μπαχ. Fugue 19 from Bach's The Well-Tempered Clavier.

Interpret: Alexander Brailowsky (1896-1976) Titel: Rondo a Capriccio in G major, op.129 Komponist: Ludwig van Beethoven (1770-1827) Aufnahmedatum: 1938 Erstveröffentlichung: 1938

Diagram of tin whistle fingering for a diatonic scale: I, II, III, IV, V, VI, ♭VII, ♮VII, I'. In D: D, E, F♯, G, A, B, C♮, C♯, and D'.

*Two-hundred-seventeenth harmonic on C = A+. Just: 217/128 = 913.86 cents. Limit: 31-limit. MIDI pitch bend: 55,68

Mystic chord on C as the 7th, 10th, 13th, 9th, 12th, and 8th harmonics. 7 = B♭ = C = 0 cents = 1/1 = unison 8 = C = D- = 231.17 cents = 8/7 = septimal major second 9 = D = E = 435.08 cents = 9/7 = septimal major third 10 = E = F♯ = 617.49 cents = 10/7 = greater septimal tritone (11 = F↑ = G↑- = 782.49 cents = 11/7 = undecimal minor sixth) 12 = G = A = 933.13 cents = 12/7 = greater just minor seventh 13 = A♭ = B♭- = 1071.70 cents = 13/7 = ?

Altered major chord on B with diminished seventh (B, D♯, F♯, A♭), equivalent to a minor-minor seventh chord on G♯ (G♯, B, D♯, F♯) Alterierter Akkord mit verminderter Sept Esperanto: Ekzemplo por malsupren aliigita septo

Latsabidze plays Chopin's Polonaise Op.53 Čeština: Chopinova polonéza As dur, Op. 53 v podání Giorgiho Latsabidzeho Latsabidze spielt die Polonaise op.53 von Frédéric Chopin Македонски: Шопеновата „Полонеза Оп.53“ во изведба на Ѓорги Лацабиѕе

*Two-hundred-twenty-first harmonic on C = A. Just: 221/128 = 945.48 cents. Limit: 17-limit. MIDI pitch bend: 70,78

Here We Come A-wassailing (title given as "Wassail Song" in the CD notes), a English Christmas and New Year's carol from c. 1850 performed by the chorus of U.S. Army Band "Pershing's Own", led by Colonel Thomas Rotondi, Jr. (Leader & Commander) and CSM Debra L. McGarity (Command Sergeant Major) c. 2010.

This a amaj drone tone created from an orchestra tuning sound segment (http://www. Freesound. Org/people/acclivity/sounds/24205/). Through an harmonic model, the low brass section have been separated of the trumpets and then a series of harmonic (harmonizer) transformations have been done in order to include a major third and a perfect fifth in the f0 = a2 harmonic serie. The a tuning is a little bit down from 110hz (~106-107hz).

A Joyous Anthem performed by the Concert Band of the United States Air Force Heartland of America Band. Track 1 from Heartland Journeys (1997). Major Mark R. Peterson, commander/conductor.[1]

Made to represent glass or crystal harmonic sounds. Also uploaded a separate version with an additional low-pitched hum. Reminiscent of chest or other point-of-interest proximity sounds in major video games. Remix of https://freesound. Org/people/sam_x/sounds/27701/recombined numerous times to give it a more homogenous sound, and edited for seamless looping.

Five is four: a polyrhythmic analog-synth loop with ambiguous five or four time signature. Slightly frantic sounding, arpeggiator-like rising pattern a bit like a shepard tone, it's a 5/4 pattern, but accents are distributed in 4/4. 180 bpm, key is a-minor (a-minor then f-major). Two loops marked in wav file, first is the bare synth pattern, loop is samples 0 to 640,000; second is with a pad, loop is samples 960,000 to 1,600,000.

A single bar from "Fugue No.17 in A flat", BWV 862, displaying contrapuntal polyphony. The piece is part of J. S. Bach's Das wohltemperirte Clavier, Part I. See: File:BachFugueBar.png

24 bit 44. 1, fretless fender squire jazz bass with humbucking pickups, groove in a major/mixo at 100bpm. This was sloppily played, more for the sound of the bass than my playing. If you need something specific, i'm happy to give it a try, free of charge, no attribution needed (though would be fun).

*Fifty-fifth harmonic on C = A↑. Just: 55/32 = 937.63 cents. Equal-tempered: 29/12:1 = 900 cents. Limit: 11-limit. MIDI pitch bend: 5,76

Made to represent glass or crystal harmonic sounds. Also uploaded a separate version without the additional low-pitched hum. Reminiscent of chest or other point-of-interest proximity sounds in major video games. Remix of https://freesound. Org/people/sam_x/sounds/27701/recombined numerous times to give it a more homogenous sound, and edited for seamless looping.

*Hundred-fifth harmonic on C = A+. Just: 105:64 = 857.10 cents. Equal-tempered: 29/12:1 = 900 cents. Limit: 7-limit. MIDI pitch bend: 34,82 on m6

Garryowen, a late-18th century Irish air performed by the U.S. Army Band Strings, under the leadership of Colonel Thomas Rotondi, Jr. and Command Sergeant Major Debra L. McGarity.

Hohner blues harp in c, played cross-harp (g major) for multiple “train whistle” sounds. First played high (d and f), then lower (b and d) , then a little faster. Recorded about 10 inches away with tascam dr-05. Multiple takes were trimmed and assembled in audacity.

9-note ending riff. 1 of 8 samples under 5 seconds from my acoustic guitar recording of a civil war fife and drum song named frog in the well, which i learned from an 1862 instructional manual. The instrument was a 1928 gibson l3. There are no effects. Key is (in order of best fit) d major, f# minor, e minor, g major, a blues. Time signature is 3/4, but these samples are mainly under a bar so can be used in a 4/4 song. You also use either of these licenses for your remix: creative commons attribution-sharealike, creative commons attribution-noncommercial. The home of this song on the web is soupgreens. Com/froginthewell. That has the full source song in mp3 format and short clips (40 seconds, 30 seconds, and 20 seconds) for use in video cues. There is also sheet music and guitar tab there.

*unprocessed version* loopable. Crowd reunited in front of parliament chants in protest against the government during a major economic crisis in portugal. Drums rhythm and big crowd singing and clapping along. Recorded with fostex fr2 and a sanken cmd-10 stereo microphone, october 15th, 2011.

Platte River Run: A Nebraska Overture performed by the Concert Band of the United States Air Force Heartland of America Band. Track 2 from Heartland Journeys (1997). Major Mark R. Peterson, commander/conductor.[1]

Uendelighedsrækken (Dutch for "infinity series"), discovered and used by the Danish composer Per Nørgård, in G major. (This example is not composed by or taken from a work of Per Nørgård.) Uendelighedsrækken (Unendlichkeitsreihe), die der dänische Komponist Per Nørgård entdeckt hat und verwendet, in G-Dur. (Dieses Beispiel ist keine Komposition und kein Ausschnitt eines Werkes Per Nørgårds.)

The Coventry Carol, a sixteenth-century English carol

Shuttle atlantis final docking to the international space station. Most of an hour edited to just under 4 minutes. The voices of those guiding the flight and a few neat sounds. This is an educational moment in history that aired on 5 major signal radio stations reaching much of florida.

This Endris Night, a fifteenth-century English carol performed by the chorus of U.S. Army Band "Pershing's Own", led by Colonel Thomas Rotondi, Jr. (Leader & Commander) and CSM Debra L. McGarity (Command Sergeant Major) c. 2010. CSM Debra L. McGarity

Lo How a Rose E'er Blooming is an English translation of the 16th/17th century German Christmas carol, "Es ist ein Ros entsprungen". Performed by the chorus of the U.S. Army Band "Pershing's Own", led by Colonel Thomas Rotondi, Jr. (Leader & Commander) and CSM Debra L. McGarity (Command Sergeant Major) ca. 2010.

*processed version with fx* loopable. Crowd reunited in front of parliament chants in protest against the government. In 2011 during a major economic crisis in portugal. Drums rhythm and big crowd singing and clapping along. Recorded with fostex fr2 and a sanken cmd-10 stereo microphone, october 15th, 2011. .

Recorded using only an android phone and 'recording machine' app. The recording was made on the metal jetty at london greenwich a minute or so after the ferry had departed. The sound is of the metal plates of the walkway rubbing together as the jetty gently rises and falls on the swell. Eerie and atmospheric. Strangely quiet considering it was recorded in a major city.

22 minutes stereo recording of a thunder-storm including 3 major strikes at 0:15, 15:00, and 21:00. Rain in the background. Digitally recorded as 48khz-24bit-wav (device: zoom h4). Normalized +5db, then down-sampled to 44khz/16bit. This is the ogg vorbis file (q: 60%). There is also a flac version (lossless 100mb).

January 30, 2014. A major ice storm moves in to the east coast of the united states. Sitting in a small cabin in the woods of north carolina, the sound of ice particles (sleet) hitting a stove-pipe can be heard. It's cold. It's bleak. The power has just cut off. Sitting on the floor with a zoom h4n, i recorded the soundscape. Enjoy!. - christopher c. Courter.